Buy Six Days, Seven Nights

February 8th, 2010 by kerrie7500415
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When abrasive Recent Yorker Robin Monroe (Anne Heche) and her boyfriend Frank (David Schwimmer), head out to an idyllic Polynesian island for some R&R, all is well until Robin’s boss in Unusual York calls her and begs Robin to sail to neighboring Tahiti to grasp on an urgent assignment. Reluctantly, Robin agrees and approaches the local island-hopping pilot, Quinn (Harrison Ford) . Quinn agrees to skim Robin to Tahiti, but during the flight, they are beset by a thunderstorm and forced to crash-land on a deserted island. Shipwrecked, two completely opposite personalities clash and reach together in a series of highly attractive and appetizing adventures, including basic survival, a run-in with off-shore murderous pirates, and overcoming the odds to state about escaping from the island. The scenery is fair, offset by a tremendous soundtrack, and Ford is at his comedic best playing a tipsy, laid-back playboy whose South Pacific laisse-faire is a perfect foil for Heche’s highly strung city-girl character.

Ford and Heche do wonders with the standard stuck-on-a-desert-island space, and instead of being mundane it shines with actual humor and unexpected twists and turns. Both actors point to a fair affinity for hilarious one-liners and unsuspected tender moments. A luscious movie. Highly recommended.

I saw this on cable many moons ago and laughed my butt off! I went out and bought it the next day. I calm survey this movie and indulge in it even though I know the location. Accepted bit: Harrison Ford strangling the bush! Clever dialogue, fascinating performances and an all around fun adventure! Check out the soon to be Jango Fett as the leader of the pirates! The only liability is the always annoying David Schwimmer, but he does a qualified job in this one (and isn’t in it as remarkable as the leads, thank God) Anyway rent it occupy it or whatever, I did.
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Watch The Berenstain Bears: Kindness, Caring and Sharing Movie Online

February 5th, 2010 by kerrie7500415
Watch The Berenstain Bears: Kindness, Caring and Sharing Movie Online. Watch The Berenstain Bears: Kindness, Caring and Sharing Movie Online.

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This dvd has older episodes on it, from the 80’s. They are:

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Messy Room

Trouble with Friends

Too Grand Birthday

Go Soar a Kite

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Comic Valentine (the 1982 tv special)

I care for the newer episodes that are now on PBS, but really enjoyed these since I grew up watching them. Stout dvd!

We were disappointed by this DVD. Our daughter loves the newer PBS Berenstain Bears, and we assumed this was the latest installment, because it was impartial released. Turns out this disk is simply recycled archives from the ’80s. Given that, they’re not bad, but they’re nowhere approach the quality of the unusual episodes, both in terms of the account lines and the production.
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Buy The Tom and Jerry Collection: Greatest Chases/The Magic Ring/The Movie

February 2nd, 2010 by kerrie7500415
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I bought this for my 3 1/2 year ancient son to sight on our portable DVD player on a jog from Georgia to Pennsylvania. Let’s unbiased say, I can witness which cartoon is playing from the music. He loves the 14 cartoon collection. The space also comes with 2 movies, but he prefers the cartoons. Would rather have purchased without the movies, but he may like them when he is older. This is such a classic cartoon; my husband and I luxuriate in watching it with him and his 14 month faded sister is begining to savor it as well.
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Buy Bleach, Vol. 21 Online.

January 29th, 2010 by kerrie7500415
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The fights all over Karakura continue to rage between the Bounts and Ichigo’s dinky gang, and even the addition of some seasoned Soul Reaper lieutenants doesn’t guarantee success. “Bleach Volume 21″ is basically a solid slab of continuous combat against the Bounts’ superpowered dolls, although the third episode on here feels like it was rushed through production while most of the staff (and one issue actor) was sick.

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Ichigo’s hopeless fight against Koga and Dalk is interrupted by Kira’s sudden intervention, and his zanpakuto turns out to be perfectly obliging to defeating the solid steel doll. And Yoshi’s fight with Rukia and Orihime is interrupted when the crazed Mabashi decides that HE wants to fight them — and his doll burrows into Rukia’s body and turns her into a killing machine. Despite the intervention of Shuhei Hisagi, Orihime is faced with a nasty decision: ruin Rukia to establish her and her friends, or get some other intention of freeing her from Mabashi.

Meanwhile, Chad, Ururu and Noba are joined by Rangiku Matsumoto, impartial in time to fight the stale Bount Sawatari, whose doll Baura turns out to be a gigantic fish that can swim through solid objects. Energy blasts, special powers and even living beings all salvage transported into a dimension inside Baura — meaning that Rangiku and Chad have limited chance of beating Sawatari, especially when Noba is injured in the fight. And in the Soul Society, a recent dilemma has cropped up…

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About 90% of “Bleach Volume 21″ is devoted to action sequences — giant wooden fish, exploding silos, flying flower-foxes, eruptions of kido energy and the occasional blast from exiguous furious ninja fairy Tsubaki. Everybody is fighting the Bount and getting beaten up because of it, and at times it becomes a lovely bleak epic, with small humor or levity to lighten the dwelling.

Fortunately the writers retract some brief time outs where the friendly guys regroup, strategize, and peep medical succor for their wounded. And the action slows down at the destroy of the fourth episode, taking us to the Soul Society where an invisible intruder stirs up a itsy-bitsy more mystery for the Soul Reapers (particularly an touchy Ikkaku) . And it seems like we might be about to learn why the Bounts want Uryu so considerable.

The third episode is a bit of a headscratcher, though — it sounds like someone other than Jamieson Sign is voicing Chad, and doing a cross imitation. And the animation is very wobbly; an otherwise frigid fight scene at the climax is marred by Chad and Sawatari suddenly developing grand, lipless, teeth-filled mouths and lots of facial lines.

It’s rather nice to explore some of the familiar Soul Reaper characters such as Rangiku, Shuhei and Kira, who display that they’re quite distinguished and sometimes clever. And there are brief appearances come the kill by Byakuya, Zaraki and the ever-feisty Ikkaku. In the world of the living, there’s a rather touching scene that reinforces the friendship between Rukia and Orihime, as well as Orihime’s determination to assist her friend… even if it is a bit too powerful like Healing With The Power of Luv.

And cute minute Noba (who has some truly awe-inspiring abs) gets a crush on Rangiku. It doesn’t find cuter than that.

The twenty-first volume of “Bleach” is crammed with intricate and deadly fighting, but the ending hints at some further situation twists yet to advance. Except for the awkward third episode, this is a sure-fire winner.
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Stream Vexille - Movie

January 22nd, 2010 by kerrie7500415
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As a fan of Asian cinema, I’ve often wondered why I haven’t reviewed more Japanese anime. Aged anime has very complex storylines that can assign most movies to shame. “VEXILLE” (a.k.a. Vexille 2077 Nihon Sakaku, Isolation) is from the same folks responsible for Appleseed and Ghost in the Shell: S.A.C.. Director Fumihiko Sori and writer Haruka Handa’s latest is a blend of ragged 2 dimensional animation and 3-D effects that gives us a vision of a futuristic world. People who saw Appleseed may peek the similarities to Masamune Shirow’s futuristic designs since they both worked on the 2004 hit titillating film.

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The sage in “Vexille” begins as Daiwa Industries leads Japan in technological advancements as an attempt for Imperial Aspirations (recalls Japan in WWII) . Daiwa began experimenting in uncouth cloning, bio-engineering human tissue to combine with machine parts. Excited with these experiments, the U.N. orders Japan to end all activities. In retaliation, Japan sanctions a rule of total isolation from the rest of the world, and the country even goes as far as generating a magnetic force field around its borders.

After 10 years, American intelligence intercepts information that Japan has developed a plot that can turn humans into cyborgs. A sunless ops group called “S.W.O.R.D.” is sent to infiltrate isolated Japan to salvage the truth of this matter and terminate it if principal. Vexille, one of the commando units sent to Japan soon finds herself the lone survivor who may be able to halt Daiwa with its irascible plans. She hooks up with Maria and her gang of renegades to infiltrate Daiwa. But is Maria more than what she seems? The hideous secret may be more than they bargained for….

I’ve read that “Vexille” wasn’t such a spacious hit when it came out in Japan. Perhaps, anime fans experienced some “cyberpunk” overload because there are quite a lot of features that demonstrate a futuristic world with “mechas” involved; or maybe because the region in “Vexille” portrays the country as a “rogue” government in the world’s eyes. I wouldn’t know the accurate reason. But this modern work by Sori and Handa seemed too similar to Shirow’s past works. It incorporates familiar themes of the usual corporate entity that wants to play God, a strong-willed, gutsy but heavenly heroine, futuristic military weaponry and the premise of man vs. machine or the morality of man and machine. The film may actually be homage to Masamune Shirow.

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The animation in “Vexille” is kind of a mixed bag. I loved the fact that the characters don’t have the usual over-expressive “bulging” eyes, queer colored hair and perfect complexion. Vexille and Maria (as well the entire supporting cast) looked almost realistic in their features, it sidestepped the usual anime conventions that we’re dilapidated to in the past. Their movements are also very fluid and level-headed that outshines the motion choose in “Beowulf” but comes a lot short of the quality of the extraordinary animation in “Final Fantasy: Advent Children”. I also found it a bit droll that Americans looked like they’re mixed and calm looked a tad Asian. (Not complaining, fair stating an observation) Also, I saw this film in its recent Japanese language; drawl actors Yasuko Matsuyuri as sexy rebel, Maria (This character makes me want to become a cartoon) and Meisa Kuroki as Vexille do a very decent job in expressing emotions.

The film totally looks attractive with the execution of CGI and faded cell animation. The effects work by Oxybot is perfect for this type of movie. “Vexille” seems to borrow elements from Ghost in the Shell, Blade Runner and even Dune. (You’ll be impressed once you peruse the “Jags”) The one fault that the film has, that somewhat lost its effectiveness is the lack of dramatic impact. The epic is deep enough to retain experienced viewers enthusiastic but the execution seemed a bit lackluster. It opted to resolve for the usual histrionics and missed a fabulous opportunity for emotional mumble by exploring the dramatic repercussions of the film’s main premise. Graphics can only carry an appealing feature so far.

Overall, I did delight in “Vexille” more than I did “Appleseed Ex Machina”. I guess I’m so faded to Anime with all the dramatic elements explored that I was somewhat disappointed. The film had all the dynamic potential with its deep premise that wasn’t fully realized.

Recommended! For Japanese Anime or Sci-Fi films FANS! [3 ½ Stars]

After reading a short synopsis and the Japanese version trailer of this movie (when looking for something to go seek one evening), I figured I’d check it out. I’m not a great fan of a lot of Japanese anime, though some of it is frosty, and I’m not normally a mountainous fan of spicy drama/action in general, but WOW was Vexille a marvelous surprise! If I had to compare it to something, I would say it’s Final Fantasy meets Titan A.E. and maybe a puny bit of the Matrix.

The animation style was impartial fine! The mix of cartoon with computer-generated animation was a gleaming recognize to discover. The scenes in this movie had fabulous dimension, color, style, and a totally mesmerizing quality. It definitely made it very easy to get myself drawn into this futuristic world.

The myth is large too! Trustworthy character development and a sci-fi element that is at least partially believable (and certainly, if nothing else, enthralling) . Space in the year 2077, the technology is slick, clever, and frosty - yet not so far fetched that you can’t imagine the possibilities suggested. Unplug and catch into the fantasy and you’ll have a immense time. The movie has a bit of a Matrix quality in that (aside from its distinct political elements) there is the strong sense of an underlying (almost spiritual) theme driving the account but it’s unbiased far enough removed from the surface epic that you can dig for messages if you want to or unprejudiced savor the walk without getting into the philosophy of the film. I like movies that have multi-faceted elements like this. It made me want to scrutinize it again to try and method more out of it.

In short, the movie is vast! It’s more of a drama than out and out action (so it might strike some viewers as a petite slow-paced in places), but the action is fun and the record is kindly. The characters are such that you care about them and that draws you even further into the anecdote. There is also some frigid music in the film, well placed with the various scenes and fresh enough so that it doesn’t strike as typical. My accepted songs are “Target Practice” by Asian Dub Foundation, “Bird Flu” by M.I.A. and “The Virus” by Paul Oakenfold. Again, the artwork and C.G. effects are sparkling and really fun to observe.

I loved the movie and would notice it again (and will) because I’m ordering it today! Parents who are challenging about the negate will be contented to know that there are no sexual themes in this film. There is a light sub context of a worship yarn demonstrate, but it’s not the main focus of the film. There is sci-fi action and violence but nothing bloody or grotesque. There is a minute bit of language, thus earning it its PG-13 rating.

If you like anime or unprejudiced superior sci-fi, both elements should please. I recommend it.

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Buy David Lean’s This Happy Breed ~ by Noel Coward and Ronald Neame Online.

January 14th, 2010 by kerrie7500415
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This Jubilant Breed follows the joys and sorrows of one British family in the period between the two world wars. Robert Newton is excellent; if you’ve only seen him in Disney’s Care For Island, you haven’t seen his rotund range as an actor. This Korean import DVD from World Digital Entertainment is an top-notch trsnsfer. The photography is as positive as a bell, and sound is expedient. The movie also stars Celia Johnson and John Mills, and was directed by David Lean.

Oh, I knew all the people in this movie–they were my family and friends, albeit in Western Canada, it was so familiar. Did I be pleased it? Sometimes, but with 20-20 hindsight, not always. If I were teaching 20th Century British History I impartial might include this film for its truths. I imagine it was a morale booster. That said, it engaged a couple of hours, more or less, and was animated!
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Stream Pride and Prejudice - The Special Edition

January 7th, 2010 by kerrie7500415
Stream Pride and Prejudice - The Special Edition. Stream Pride and Prejudice - The Special Edition.

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This BBC/A&E production is one of the most well made films my wife and I have ever seen - apt acting, costumes, sets and plot, music, directing, editing!! Like others here, we have watched the A&E VHS edition over and over. (It is a ‘chick flick’, but I delight in romantic movies, too.)

Our excitement over getting the DVD obsolete upon loading both the VHS tape and DVD and comparing the images and sound. The widescreen image on the DVD is definitely more certain on our 50″ high res camouflage, and it is a pleasure to peruse the rotund images framed as the Director intended.

HOWEVER, the colors are not impartial washed out. The digital remastering has changed the color tone of the film as if someone old a Photoshop/Premier digital filter without vivid what they were doing. The VHS and fresh not only had rich color saturation, but also had a warm tone that felt ‘right’ with the period film. The DVD is not only washed out, but has a strong blue-white tone to it that gives a icy original feel to the scenes.

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To win the image to witness discontinuance to decent on our TV, I had to turn the color saturation up as far as it would go, bring the incompatibility down and the brightness up. It then almost matched the VHS images except for the blue-ish rather than warm overall cast.

The sound is tinny, remarkable of the lower frequencies that are on the VHS sound track being chopped off.

There are no subtitles at all (we frequently turn them on for other DVDs when we cannot quite beget out the dialog) - great less alternative language tracks.

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So, why is this edition ‘Special’? The only additions, other than the abysmal digital remastering (digital destruction) are:

(1) an 8-page booklet (that mentions only 3 of the actors)

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(2) some text-only biography screens, that mention only 2 of the actors

(3) a 20-some puny ‘making of’ feature that gives the producer most of the credit (and she did of course attach the team together, but the director/editor/actors/choreographer/costumers/etc produced the art) - and which mild only visits with 4 of the actors - out of this tremendously talented cast.

What was supposed to be a ’special’ Christmas gift, ended up being a ample disappointment. We can only hope that A&E and BBC will manufacture an ‘Extra Special’ edition that gets the color and sound aid to the director’s blueprint (did he even accept to review this DVD? ) . That, and a rebate for all of us who bought this harmful edition, would get us satisfied enough. Adding subtitles, profiles of everyone else keen in the production, and stills of the various homes, heritage buildings and towns worn would be (savory, but optional) gravy.

“Pride and Prejudice” is one of the top 10 novels ever written. The BBC miniseries with Colin Firth and Jennifer Ehle is the finest adaptation to date. The actors are apt. The mask play is honest, comprehensive, parsimonious, and absorbing. The dialogue is resplendent and preserves considerable of Jane Austin’s witty and wry commentary. The cinematography is respectable. The film was shot in authentic locations all over Britain.

I belief the film adaptation by the BBC and A&E was so comely, I bought the VCR tapes when they were released, then I bought the lazer disk version, and then I bought the DVD version. The DVD version is a titanic chunky disappointment. The quality of the DVD transfer is NOT satisfactory.

First, the colors appear traditional and with the Regency English palette of beige-greens, browns, ambers, and taupes, this is a serious defect. It makes the clothing observe venerable, the grass and trees scrutinize sunburned, and some places, the complexions discover downright washed out. The film appears to have been shot in Arizona at high noon instead of England.

Second, for some bizarre reason, the DVD processors nipped and tucked some of the current material. The clipped portions might not bother one who has never seen the original–but I noticed. There was no need to edit this film. Four of the 50-minute sections are crammed on disk 1 (where the editing takes status) and the other two were recorded on disk 2. I guess it would have made too great sense to report three episodes on each disk? Seems like unpleasant planning to me.

For the ticket of this 2-disk DVD package, more care should have been taken with the transfer process. My lazer disk version cost less, holds more, and has pleasing resolution.
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Watch Looney Tunes - Golden Collection Movie Online

December 30th, 2009 by kerrie7500415
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Animation myth Chuck Jones had a mythic dwelling of ground rules for his ingenious Road Runner series: the setting was always the desert, the characters never spoke, the Road Runner never left the road, the Coyote never caught the Road Runner, etc. A similar space of rules seems at work in THE GOLDEN COLLECTION introductory DVD presentation of Warner Bros. fascinating shorts. Here is the breakdown:

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1. The majority of the fifty-six motion pictures included are artistically famous and the collection as a whole is a sheer delight which belongs in the library of anyone who loves classic cartoons. The region includes such masterpieces and common favorites as “Duck Amuck”, “Bully for Bugs”, “Deduce You Say”, “Fleet and Furry-ous”, “Long-Haired Hare”, “Rabbit of Seville”, “Rabbit Fire”, “Rabbit Seasoning”, “The Scarlet Pumpernickel”, “Wabbit Twouble” and “Duck Dodgers in the 24-1/2 Century”. All the films, even the weakest, deserve preservation, restoration and DVD availability.

2. The selection of complete shorts spans two decades (1940-59), according to year of initial theatrical release. This means that the heyday of Porky Pig (1936-39) is excluded, along with the historic Harman-Ising period (1930-33) and such early characters as Bosko, Buddy and Foxy. On the other hand, the residence is also free of material from the Warner cartoon studio’s years of decline (1960-64) and decay (1965-69) .

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3. Within the 1940-59 span is an intensive focus on the six-year “middle” period 1948-53, when the Warner cartoons were at their technical zenith. Fully half of the films in the collection were released during the three peak years of 1949-51 (ten in 1950 alone) . The high degree of concentration allows for appreciation of the studio output of a particular era, lent disagreement and variety by the broader context.

4. The star of the indicate is unquestionably Bugs Bunny, with twenty-one cartoons. There is an adequate amount, for a starter space, of Daffy Duck, Porky Pig, and Sylvester & Tweety. Key films of the Road Runner, Pepé Le Pew, Foghorn Leghorn and Snappily Gonzales are duly included. Necessary supporting characters like Elmer Fudd, Yosemite Sam and Marvin the Martian are well-represented, and the Tasmanian Devil makes a token appearance. The bill is rounded out with a few one-shots and curios.

5. The individual directors at Warner’s animation studio are as principal as its character stars. A chunky twenty-five of the films (almost half) are by superstar director Chuck Jones (and written by Michael Maltese) . Most of the rest are directed by Friz Freling, with several by Robert McKimson and one by Arthur Davis. Only three films are directed by the immense Bob Clampett.

6. There are no films directed by the legendary Tex Avery, who departed the studio in the early 1940’s, or the influential stylist Frank Tashlin.

7. Most cartoons are voiced by the astounding Mel Blanc.

8. All cartoons are scored by Music Director Carl W. Stalling or his immediate successor.

9. Most principal of the anomalies is the dreadful showing of the ultra-popular (and ultra-”violent”) Road Runner, with only one episode (albeit his debut) ; while tired stale Foghorn Leghorn encores with an undistinguished gradual episode — rather than, say, “The High and the Flighty”, his memorable pairing with Daffy Duck. In keeping with Rule #6, Avery’s Oscar-nominated classic “A Wild Hare” (1940), the first “factual” Bugs Bunny cartoon, is supplanted by Jones’ “Elmer’s Candid Camera”, a rare prototype from earlier that year which features the debut of Elmer Fudd and the still-evolving Wascal Wabbit. And the extras, in their mania for completeness, include the engaging excerpts from the feature films TWO GUYS FROM TEXAS and MY DREAM IS YOURS twice each, but only one version is digitally restored.

10. Not all of these Golden Era cartoons are masterpieces or correct classics, but the less exceptional films included record the high standard against which the unbelievable stand out. A technically uncouth quota quickie like McKimson’s “Rabbit’s Kin” shines because suppose artist Stan Freburg’s endearingly unimaginative Pete Puma character is memorable. A couple of gracious duds (Davis’ “Porky Chops”, for instance) have been thrown in for genuine measure, and even these wait on to offset the overall excellence of the remainder.

11. Organization is minimal, with most of the Bugs Bunny material on Disc One, Daffy and Porky on Disc Two, and the others in an “All-Star” free-for-all on Discs Three and Four. The cartoons are presented in seemingly random order, but this very randomness is exactly how audiences experienced them both in theaters and on television.

12. The hours of extras are an embarrassment of riches.

13. Such beloved masterpieces as “Beanstalk Bunny”, “Duck, Rabbit, Duck!”, “Robin Hood Daffy”, “The Singing Sword”, “The Three Miniature Bops”, the Oscar-Winning Rabbit’s “Knighty-Knight Bugs”, and (supremely) “One Froggy Evening” and “What’s Opera, Doc? “, have been withheld for future DVD editions. The status is designed to whet the appetite for more and leaves the grateful viewer with considerable to observe forward to.

14. THE GOLDEN COLLECTION is worth more than its cost in dollars and is an infinitely better investment than the cheap alternate “Premiere Collection”, which simply duplicates Discs Three and Four with no extras. The Premiere Collection is kiddie fodder for the undiscerning bargain-store shopper and is to be avoided by anyone concerned with art and favorite culture. High sales of the vastly agreeable Golden Edition will settle future releases, so seize ‘em up and give ‘em to your friends.

CARTOONS ARE FOR EVERYONE!

For those of you who have a accepted Director you may have found categorization by character quite frustrating. Personally I don’t care for a whole disc of Bugs, or a whole disc of Daffy; I want a whole disc of Chuck or a whole disc of Friz. Even the attractive episode lists above, which really do contain all the information you need, are not organized according to how the episodes appear on the discs in the collection. To remedy this quandary I have the following list to provide you with the episodes, organized in the order they appear on the discs, and who directed them. I hope this proves useful to someone, and will assign them from having to do this all over again themselves.

Volume One: Disc One

1.Baseball Bugs (Friz Freleng)

2.Rabbit Seasoning (Chuck Jones)

3.Long-Haired Hare (Chuck Jones)

4.High Diving Hare (Friz Freleng)

5.Bully for Bugs (Chuck Jones)

6.What’s Up Doc? (Robert McKimson)

7.Rabbit’s Kin (Robert McKimson)

8.Water, Water Every Hare (Chuck Jones)

9.Mammoth House Bunny (Friz Freleng)

10.Tall Top Bunny (Robert McKimson)

11.My Bunny Lies Over the Sea (Chuck Jones)

12.Wabbit Twouble (Bob Clampett)

13.Ballot Box Bunny (Friz Freleng)

14.Rabbit of Seville (Chuck Jones)

Volume One: Disc Two

1.Duck Amuck (Chuck Jones)

2.Dough for the Do-Do (Bob Clampett)

3.Drip Along Daffy (Chuck Jones)

4.Scaredy Cat (Chuck Jones)

5.The Ducksters (Chuck Jones)

6.The Scarlet Pumpernickel (Chuck Jones)

7.Yankee Doodle Daffy (Friz Freleng)

8.Porky Chops (Arthur Davis)

9.Wearing of the Grin (Chuck Jones)

10.Deduce, You Say (Chuck Jones)

11.Boobs in the Woods (Robert McKimson)

12.Golden Yeggs (Friz Freleng)

13.Rabbit Fire (Chuck Jones)

14.Duck Dodgers in the 24 ½ Century (Chuck Jones)

Volume One: Disc Three

1.Elmer’s Candid Camera (Chuck Jones)

1.Bugs Bunny and the Three Bears (Chuck Jones)

2.Like A Flash and Furry-ous (Chuck Jones)

3.Hair Raising Hare (Chuck Jones)

4.The Abominable Orphan (Chuck Jones)

5.Haredevil Hare (Chuck Jones)

6.For Scent-imental Reasons (Chuck Jones)

7.Cold Hare (Chuck Jones)

8.The Hypo-Chondri-Cat (Chuck Jones)

9.Baton Bunny (Chuck Jones)

10.Feed the Kitty (Chuck Jones)

11.Don’t Give up the Sheep (Chuck Jones)

12.Bugs Bunny gets the Boid (Bob Clampett)

13.Tortoise Wins by a Hare (Bob Clampett)

Volume One: Disc Four

1.Canary Row (Friz Freleng)

2.Bunker Hill Bunny (Friz Freleng)

3.Kit for Cat (Friz Freleng)

4.Putty Tat Misfortune (Friz Freleng)

5.Bugs and Thugs (Friz Freleng)

6.Canned Feud (Friz Freleng)

7.Sprint Jerks (Friz Freleng)

8.Fleet Gonzales (Friz Freleng)

9.Tweety’s S.O.S. (Friz Freleng)

10.The Foghorn Leghorn (Robert McKimson)

11.Daffy Duck Hunt (Robert McKimson)

12.Early to Bet (Robert McKimson)

13.Broken Leghorn (Robert McKimson)

14.Devil May Hare (Robert McKimson)
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Buy 20th Century Fox - The First 50 Years Blu-Ray

December 22nd, 2009 by kerrie7500415
Buy 20th Century Fox - The First 50 Years Blu-Ray. Buy 20th Century Fox - The First 50 Years Blu-Ray.

Product: 20th Century Fox - The First 50 Years
Average customer review:

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I’m usually not a fan of stout, blowsy, overblown studio self-tributes, but this is the ecstatic exception! At objective over two hours, the documentary is concise, well written, and brilliantly edited. Super-cool James Coburn provides the “mutter of god” narration. The title is a shrimp confusing, however. It suggests that the documentary covers only “the first 50 years” (1915-1965) but the program actually acknowledges Fox’s history up to the exhibit (although not in as worthy detail) . (By the intention, you DO regain a brief scrutinize of “Star Wars”, probably the only footage we’re going to peek it on DVD for quite awhile!) The “greats” are all here, of course (Grable, Temple, Power, Monroe, “Grapes of Wrath”, “All About Eve”, “The Longest Day”, etc., but so are some of Fox’s rarely seen soundless offerings (”A Fool There Was”, “The Iron Horse”, “Sunrise”) . The studio’s foray into sound is a particular highlight - and proves that it was Fox, not Warner Brothers, who was the first to perfect talking pictures! There are fantastic rarities in this program too (footage of Marilyn’s last film, Fox’s 1950s TV remakes of their classic films, outtakes galore, camouflage tests, etc.), and the producers didn’t vexed away from mentioning that the studio also produced its part of bombs (”Wilson” comes to mind) . Movie lovers will be overjoyed to know that the DVD edition is pristine. I can hardly bear the portray and sound quality - especially when considering the age and rarity of some of the materials. The DVD also offers more than two hours of bonus materials! (Mostly product reels, but intriguing.) All-in-all, a well crafted, balanced witness at one of the last substantial Hollywood dream factories. Highly delicious and informative.

When I moved to Hollywood about 5 months ago I did not know anything about the motion report business nor the city where I live. As someone who loves history I started out to ogle first-rate books on the history of Hollywood. Most of the I found where respectable but dry. I found this DVD about a week ago and I esteem it. The DVD takes a seek at the history of 20th Century Fox. The DVD moves at a reliable rush and really looks at the people and the films that made 20th Century Fox what it is today. The clips and the photos in the DVD are immense also. It is a must have for any film or Hollywood history buff.
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Buy Shaun of the Dead Online.

December 19th, 2009 by kerrie7500415
Buy Shaun of the Dead Online.. Buy Shaun of the Dead Online..

Product: Shaun of the Dead
Average customer review:

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Shaun of the Lifeless BD viewed on a 50″ 1080p Panasonic plasma via a Panasonic DMP-BD80 through a Yamaha RX-V863 (5.1 speakers) and an HDMI splitter/amp. 7.5′ viewing distance.

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Having watched this via FioS months ago, I was a tiny leery about PQ. No need; nice visible details throughout the movie. Not a lot of 3D pop. wasn’t watching for halo-ing nor EE - sorry. top-notch to witness they made an exertion for this HD release.

AQ was outstanding. i very clearly heard Ed ‘pranging’ Pete’s car outside Shaun’s parents’ home from my rear surround speakers.

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great HD upgrade from the DVD - recommended! might add to this review for extras later…

First DVD I ever bought and the BD rocks my face off. The audio and video are decapitated heads and shoulders above the DVD release. If you’re a fan of the film,then there is no seek information from about getting it. Do it!
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